Shahab Shahali/ Donya Fazelnia

A wave of data is coming and the human’s entryway is wide. Inputs are coming from everywhere to pass through the gateway. At first, you think they are controllable and you can choose which one to process and which one to put aside.

Data is still coming, orbiting around their circuits with an unprecedented speed. Gradually, you notice what is pushed aside is your own mind. The media find their way in while human mind will be the perfect refle

A wave of data is coming and the human’s entryway is wide. Inputs are coming from everywhere to pass through the gateway. At first, you think they are controllable and you can choose which one to process and which one to put aside.

Data is still coming, orbiting around their circuits with an unprecedented speed. Gradually, you notice what is pushed aside is your own mind. The media find their way in while human mind will be the perfect reflection of these roads and dead ends.

Media will never stop. In a cycle of production/reproduction of inputs, they interpret the world and our worldly perceptions. What remains is a free human in chains.

ction of these roads and dead ends.

Media will never stop. In a cycle of production/reproduction of inputs, they interpret the world and our worldly perceptions. What remains is a free human in chains.

Shahab Shahali , Donya Fazelnia, “BIPS”, Mixed Media , Statue, 20 x 27 cm, 2018
Shahab Shahali , Donya Fazelnia, “BIPS”, Mixed Media , Statue, 20 x 27 cm, 2018
Shahab Shahali , Donya Fazelnia, “BIPS”, Installation View, 2018